第48章 A FLIGHT(3)

Twenty minutes' pause, by Folkestone clock, for looking at Enchantress while she eats a sandwich, and at Mystery while she eats of everything there that is eatable, from pork-pie, sausage, jam, and gooseberries, to lumps of sugar. All this time, there is a very waterfall of luggage, with a spray of dust, tumbling slantwise from the pier into the steamboat. All this time, Demented (who has no business with it) watches it with starting eyes, fiercely requiring to be shown HIS luggage. When it at last concludes the cataract, he rushes hotly to refresh - is shouted after, pursued, jostled, brought back, pitched into the departing steamer upside down, and caught by mariners disgracefully.

A lovely harvest-day, a cloudless sky, a tranquil sea. The piston-rods of the engines so regularly coming up from below, to look (as well they may) at the bright weather, and so regularly almost knocking their iron heads against the cross beam of the skylight, and never doing it! Another Parisian actress is on board, attended by another Mystery. Compact Enchantress greets her sister artist - Oh, the Compact One's pretty teeth! - and Mystery greets Mystery.

My Mystery soon ceases to be conversational - is taken poorly, in a word, having lunched too miscellaneously - and goes below. The remaining Mystery then smiles upon the sister artists (who, I am afraid, wouldn't greatly mind stabbing each other), and is upon the whole ravished.

And now I find that all the French people on board begin to grow, and all the English people to shrink. The French are nearing home, and shaking off a disadvantage, whereas we are shaking it on.

Zamiel is the same man, and Abd-el-Kader is the same man, but each seems to come into possession of an indescribable confidence that departs from us - from Monied Interest, for instance, and from me.

Just what they gain, we lose. Certain British 'Gents' about the steersman, intellectually nurtured at home on parody of everything and truth of nothing, become subdued, and in a manner forlorn; and when the steersman tells them (not exultingly) how he has 'been upon this station now eight year, and never see the old town of Bullum yet,' one of them, with an imbecile reliance on a reed, asks him what he considers to be the best hotel in Paris?

Now, I tread upon French ground, and am greeted by the three charming words, Liberty, Equality, Fraternity, painted up (in letters a little too thin for their height) on the Custom-house wall - also by the sight of large cocked hats, without which demonstrative head-gear nothing of a public nature can be done upon this soil. All the rabid Hotel population of Boulogne howl and shriek outside a distant barrier, frantic to get at us. Demented, by some unlucky means peculiar to himself, is delivered over to their fury, and is presently seen struggling in a whirlpool of Touters - is somehow understood to be going to Paris - is, with infinite noise, rescued by two cocked hats, and brought into Custom-house bondage with the rest of us.

Here, I resign the active duties of life to an eager being, of preternatural sharpness, with a shelving forehead and a shabby snuff-coloured coat, who (from the wharf) brought me down with his eye before the boat came into port. He darts upon my luggage, on the floor where all the luggage is strewn like a wreck at the bottom of the great deep; gets it proclaimed and weighed as the property of 'Monsieur a traveller unknown;' pays certain francs for it, to a certain functionary behind a Pigeon Hole, like a pay-box at a Theatre (the arrangements in general are on a wholesale scale, half military and half theatrical); and I suppose I shall find it when I come to Paris - he says I shall. I know nothing about it, except that I pay him his small fee, and pocket the ticket he gives me, and sit upon a counter, involved in the general distraction.

Railway station. 'Lunch or dinner, ladies and gentlemen. Plenty of time for Paris. Plenty of time!' Large hall, long counter, long strips of dining-table, bottles of wine, plates of meat, roast chickens, little loaves of bread, basins of soup, little caraffes of brandy, cakes, and fruit. Comfortably restored from these resources, I begin to fly again.

I saw Zamiel (before I took wing) presented to Compact Enchantress and Sister Artist, by an officer in uniform, with a waist like a wasp's, and pantaloons like two balloons. They all got into the next carriage together, accompanied by the two Mysteries. They laughed. I am alone in the carriage (for I don't consider Demented anybody) and alone in the world.

Fields, windmills, low grounds, pollard-trees, windmills, fields, fortifications, Abbeville, soldiering and drumming. I wonder where England is, and when I was there last - about two years ago, I should say. Flying in and out among these trenches and batteries, skimming the clattering drawbridges, looking down into the stagnant ditches, I become a prisoner of state, escaping. I am confined with a comrade in a fortress. Our room is in an upper story. We have tried to get up the chimney, but there's an iron grating across it, imbedded in the masonry. After months of labour, we have worked the grating loose with the poker, and can lift it up.

We have also made a hook, and twisted our rugs and blankets into ropes. Our plan is, to go up the chimney, hook our ropes to the top, descend hand over hand upon the roof of the guard-house far below, shake the hook loose, watch the opportunity of the sentinels pacing away, hook again, drop into the ditch, swim across it, creep into the shelter of the wood. The time is come - a wild and stormy night. We are up the chimney, we are on the guard-house roof, we are swimming in the murky ditch, when lo! 'Qui v'la?' a bugle, the alarm, a crash! What is it? Death? No, Amiens.