第3章 VOLUME I(3)

No American can study the character and career of Abraham Lincoln without being carried away by sentimental emotions. We are always inclined to idealize that which we love,--a state of mind very unfavorable to the exercise of sober critical judgment. It is therefore not surprising that most of those who have written or spoken on that extraordinary man, even while conscientiously endeavoring to draw a lifelike portraiture of his being, and to form a just estimate of his public conduct, should have drifted into more or less indiscriminating eulogy, painting his great features in the most glowing colors, and covering with tender shadings whatever might look like a blemish.

But his standing before posterity will not be exalted by mere praise of his virtues and abilities, nor by any concealment of his limitations and faults. The stature of the great man, one of whose peculiar charms consisted in his being so unlike all other great men, will rather lose than gain by the idealization which so easily runs into the commonplace. For it was distinctly the weird mixture of qualities and forces in him, of the lofty with the common, the ideal with the uncouth, of that which he had become with that which he had not ceased to be, that made him so fascinating a character among his fellow-men, gave him his singular power over their minds and hearts, and fitted him to be the greatest leader in the greatest crisis of our national life.

His was indeed a marvellous growth. The statesman or the military hero born and reared in a log cabin is a familiar figure in American history; but we may search in vain among our celebrities for one whose origin and early life equalled Abraham Lincoln's in wretchedness. He first saw the light in a miserable hovel in Kentucky, on a farm consisting of a few barren acres in a dreary neighborhood; his father a typical "poor Southern white," shiftless and without ambition for himself or his children, constantly looking for a new piece of land on which he might make a living without much work; his mother, in her youth handsome and bright, grown prematurely coarse in feature and soured in mind by daily toil and care; the whole household squalid, cheerless, and utterly void of elevating inspirations...

Only when the family had "moved" into the malarious backwoods of Indiana, the mother had died, and a stepmother, a woman of thrift and energy, had taken charge of the children, the shaggy-headed, ragged, barefooted, forlorn boy, then seven years old, "began to feel like a human being." Hard work was his early lot. When a mere boy he had to help in supporting the family, either on his father's clearing, or hired out to other farmers to plough, or dig ditches, or chop wood, or drive ox teams; occasionally also to "tend the baby," when the farmer's wife was otherwise engaged.

He could regard it as an advancement to a higher sphere of activity when he obtained work in a "crossroads store," where he amused the customers by his talk over the counter; for he soon distinguished himself among the backwoods folk as one who had something to say worth listening to. To win that distinction, he had to draw mainly upon his wits; for, while his thirst for knowledge was great, his opportunities for satisfying that thirst were wofully slender.

In the log schoolhouse, which he could visit but little, he was taught only reading, writing, and elementary arithmetic. Among the people of the settlement, bush farmers and small tradesmen, he found none of uncommon intelligence or education; but some of them had a few books, which he borrowed eagerly. Thus he read and reread, AEsop's Fables, learning to tell stories with a point and to argue by parables; he read Robinson Crusoe, The Pilgrim's Progress, a short history of the United States, and Weems's Life of Washington. To the town constable's he went to read the Revised Statutes of Indiana. Every printed page that fell into his hands he would greedily devour, and his family and friends watched him with wonder, as the uncouth boy, after his daily work, crouched in a corner of the log cabin or outside under a tree, absorbed in a book while munching his supper of corn bread.

In this manner he began to gather some knowledge, and sometimes he would astonish the girls with such startling remarks as that the earth was moving around the sun, and not the sun around the earth, and they marvelled where "Abe" could have got such queer notions. Soon he also felt the impulse to write; not only making extracts from books he wished to remember, but also composing little essays of his own. First he sketched these with charcoal on a wooden shovel scraped white with a drawing-knife, or on basswood shingles. Then he transferred them to paper, which was a scarce commodity in the Lincoln household; taking care to cut his expressions close, so that they might not cover too much space,--a style-forming method greatly to be commended. Seeing boys put a burning coal on the back of a wood turtle, he was moved to write on cruelty to animals. Seeing men intoxicated with whiskey, he wrote on temperance. In verse-making, too, he tried himself, and in satire on persons offensive to him or others,--satire the rustic wit of which was not always fit for ears polite. Also political thoughts he put upon paper, and some of his pieces were even deemed good enough for publication in the county weekly.