第63章 CHAPTER XX THE BURIAL CHANT(3)

"Where can Hilda be?" exclaimed Kenyon. "It is not her custom ever to fail in an engagement; and the present one was made entirely on her account. Except herself, you know, we were all agreed in our recollection of the picture.""But we were wrong, and Hilda right, as you perceive," said Miriam, directing his attention to the point on which their dispute of the night before had arisen. "It is not easy to detect her astray as regards any picture on which those clear, soft eyes of hers have ever rested.""And she has studied and admired few pictures so much as this," observed the sculptor. "No wonder; for there is hardly another so beautiful in the world. What an expression of heavenly severity in the Archangel's face! There is a degree of pain, trouble, and disgust at being brought in contact with sin, even for the purpose of quelling and punishing it; and yet a celestial tranquillity pervades his whole being.""I have never been able," said Miriam, "to admire this picture nearly so much as Hilda does, in its moral and intellectual aspect. If it cost her more trouble to be good, if her soul were less white and pure, she would be a more competent critic of this picture, and would estimate it not half so high. I see its defects today more clearly than ever before.""What are some of them?" asked Kenyon.

"That Archangel, now," Miriam continued; "how fair he looks, with his unruffled wings, with his unhacked sword, and clad in his bright armor, and that exquisitely fitting sky-blue tunic, cut in the latest Paradisiacal mode! What a dainty air of the first celestial society!

With what half-scornful delicacy he sets his prettily sandalled foot on the head of his prostrate foe! But, is it thus that virtue looks the moment after its death struggle with evil? No, no; I could have told Guido better. A full third of the Archangel's feathers should have been torn from his wings; the rest all ruffled, till they looked like Satan's own! His sword should be streaming with blood, and perhaps broken halfway to the hilt; his armor crushed, his robes rent, his breast gory; a bleeding gash on his brow, cutting right across the stern scowl of battle!

He should press his foot hard down upon the old serpent, as if his very soul depended upon it, feeling him squirm mightily, and doubting whether the fight were half over yet, and how the victory might turn! And, with all this fierceness, this grimness, this unutterable horror, there should still be something high, tender, and holy in Michael's eyes, and around his mouth. But the battle never was such a child's play as Guido's dapper Archangel seems to have found it.""For Heaven's sake, Miriam," cried Kenyon, astonished at the wild energy of her talk; "paint the picture of man's struggle against sin according to your own idea! I think it will be a masterpiece.""The picture would have its share of truth, I assure you," she answered;"but I am sadly afraid the victory would fail on the wrong side. Just fancy a smoke-blackened, fiery-eyed demon bestriding that nice young angel, clutching his white throat with one of his hinder claws; and giving a triumphant whisk of his scaly tail, with a poisonous dart at the end of it!

That is what they risk, poor souls, who do battle with Michael's enemy."It now, perhaps, struck Miriam that her mental disquietude was impelling her to an undue vivacity; for she paused, and turned away from the picture, without saying a word more about it. All this while, moreover, Donatello had been very ill at ease, casting awe-stricken and inquiring glances at the dead monk; as if he could look nowhere but at that ghastly object, merely because it shocked him. Death has probably a peculiar horror and ugliness, when forced upon the contemplation of a person so naturally joyous as Donatello, who lived with completeness in the present moment, and was able to form but vague images of the future.

"What is the matter, Donatello?" whispered Miriam soothingly. "You are quite in a tremble, my poor friend! What is it?""This awful chant from beneath the church,," answered Donatello; "it oppresses me; the air is so heavy with it that I can scarcely draw my breath. And yonder dead monk! I feel as if he were lying right across my heart.""Take courage!" whispered she again "come, we will approach close to the dead monk. The only way, in such cases, is to stare the ugly horror right in the face; never a sidelong glance, nor half-look, for those are what show a frightfill thing in its frightfullest aspect. Lean on me, dearest friend! My heart is very strong for both of us. Be brave; and all is well."Donatello hung back for a moment, but then pressed close to Miriam's side, and suffered her to lead him up to the bier. The sculptor followed. Anumber of persons, chiefly women, with several children among them, were standing about the corpse; and as our three friends drew nigh, a mother knelt down, and caused her little boy to kneel, both kissing the beads and crucifix that hung from the monk's girdle. Possibly he had died in the odor of sanctity; or, at all events, death and his brown frock and cowl made a sacred image of this reverend father.