第129章 CHAPTER XL HILDA AND A FRIEND(3)
- The Marble Faun
- Nathaniel Hawthorne
- 567字
- 2016-03-02 16:34:28
"The best thing I know of St. Peter's," observed he, "is its equable temperature" We are now enjoying the coolness of last winter, which, a few months hence, will be the warmth of the present summer. It has no cure, I suspect, in all its length and breadth, for a sick soul, but it would make an admirable atmospheric hospital for sick bodies. What a delightful shelter would it be for the invalids who throng to Rome, where the sirocco steals away their strength, and the tramontana stabs them through and through, like cold steel with a poisoned point! But within these walls, the thermometer never varies. Winter and summer are married at the high altar, and dwell together in perfect harmony.""Yes," said Hilda; "and I have always felt this soft, unchanging climate of St. Peter's to be another manifestation of its sanctity.""That is not precisely my idea," replied Kenyon. "But what a delicious life it would be, if a colony of people with delicate lungs or merely with delicate fancies--could take up their abode in this ever-mild and tranquil air. These architectural tombs of the popes might serve for dwellings, and each brazen sepulchral doorway would become a domestic threshold. Then the lover, if he dared, might say to his mistress, ' Will you share my tomb with me? ' and, winning her soft consent, he would lead her to the altar, and thence to yonder sepulchre of Pope Gregory, which should be their nuptial home. What a life would be theirs, Hilda, in their marble Eden!""It is not kind, nor like yourself," said Hilda gently, "to throw ridicule on emotions which are genuine. I revere this glorious church for itself and its purposes; and love it, moreover, because here Ihave found sweet peace, after' a great anguish.""Forgive me," answered the sculptor, "and I will do so no more. My heart is not so irreverent as my Words."They went through the piazza of St. Peter's and the adjacent streets, silently at first; but, before reaching the bridge of St. Angelo, Hilda's flow of spirits began to bubble forth, like the gush of a streamlet that has been shut up by frost, or by a heavy stone over its source. Kenyon had never found her so delightful as now; so softened out of the chillness of her virgin pride; so full of fresh thoughts, at which he was often moved to smile, although, on turning them over a little more, he sometimes discovered that they looked fanciful only because so absolutely true.
But, indeed, she was not quite in a normal state. Emerging from gloom into sudden cheerfulness, the effect upon Hilda was as if she were just now created. After long torpor, receiving back her intellectual activity, she derived an exquisite pleasure from the use of her faculties, which were set in motion by causes that seemed inadequate.
She continually brought to Kenyon's mind the image of a child, making its plaything of every object, but sporting in good faith, and with a kind of seriousness. Looking up, for example, at the statue of St.
Michael, on the top of Hadrian's castellated tomb, Hilda fancied an interview between the Archangel and the old emperor's ghost, who was naturally displeased at finding his mausoleum, which he had ordained for the stately and solemn repose of his ashes, converted to its present purposes.