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Suspicion being thus aroused, the telegram was forwarded to the Postal Censor's department whence it reached the Intelligence Authorities who promptly spotted the connection between the wording of the telegram and the imminent departure of the drafts, more especially as the dates tallied. Thereupon, Mr. Bellward was hunted up and ultimately traced by his correspondence to The Mill House. He was not found there, but was eventually encountered at his London hotel, and requested to appear before the authorities with a view to throwing some light on Mortimer. Under cross-examination Bellward flatly denied any knowledge of Mortimer, and declared that a mistake had been made. He cited various well known city men to speak for his bona-fides and protested violently against the action of the authorities in doubting his word. It was ultimately elicited that Bellward was of German birth and had never been naturalized, and he was detained in custody while a search was made at The Mill House.

The search was conducted with great discretion, old Martha being got out of the way before the detectives arrived and a careful watch being kept to avoid any chance of interruption. The search had the most fruitful results. Hidden in a secret drawer of the Sheraton desk in Bellward's bedroom, was found a most elaborate analysis of the movements of the transports to France, extremely accurate and right up to date. There was absolutely no indication, however, as to whence Bellward received his reports, and how or to whom he forwarded them. It was surmised that Mortimer was his informant, but an exhaustive search of the post office files of telegrams despatched showed no trace of any other telegram from Mortimer to Bellward save the one in the possession of the authorities. As for Mortimer, he remained a complete enigma.

That, summarised, was the gist of the story of Bellward's arrest.

The report laid great stress on the fact that no one outside half a dozen Intelligence men had any knowledge (a) of Bellward being an unnaturalized German, (b) of his arrest."Desmond's orders, which he reserved to the last ere short and to the point. They consisted of five numbered clauses.

"1. You will have a free hand. The surveillance of the house was withdrawn on your arrival and will not be renewed.

"2. You will not leave the house until further orders.

"3. You will keep careful note of any communication that may be made to you, whether verbal or in writing, of whatever nature it is. When you have anything to be forwarded, ring up 700 Slanning on the telephone and give Bellward's name. You will hand your report to the first person calling at the house thereafter asking for the letter for Mr. Elias.

"4. If help is urgently required, ring up 700 Stanning and ask for Mr. Elias. Assistance will be with you within 15 minutes after. This expedient must only be used in the last extremity.

"5. Memorize these documents and burn the lot before you leave the house.""Handy fellow, Mr. Elias," was Desmond's commentary, as he sprang out of bed and made for the bathroom. At a quarter to one he was ready dressed, feeling very scratchy and uncomfortable about the beard which he had not dared to remove owing to Nur-el-Din's presence in the house. Before he left the bedroom, he paused a moment at the desk, the documents of the Bellward case in his hands. He had a singularly retentive memory, and he was loth to have these compromising papers in the house whilst Nur-el-Din was there. He took a quick decision and pitched the whole lot into the fire, retaining only the annotated list of Mr. Bellward's friends. This he placed in his pocket-book and, after watching the rest of the papers crumble away into ashes, went downstairs to lunch.

Nur-el-Din was in the drawing-room, a long room with two high windows which gave on a neglected looking garden. A foaming, churning brook wound its way through the garden, among stunted bushes and dripping willows, obviously the mill-race from which the house took its name. The drawing-room was a bare, inhospitable room, studded here and there with uncomfortable looking early Victorian armchairs swathed in dust-proof cloths. Afire was making an unsuccessful attempt to burn in the open grate.

Nur-el-Din turned as he entered the room. She was wearing a gray cloth tailor-made with a white silk, blouse and a short skirt showing a pair of very natty brown boots. By contrast with her ugly surroundings she looked fresh and dainty. Her eyes were bright and her face as smooth and unwrinkled as a child's.

"Bon jour," she cried gaily, "ah! but I am 'ungry! It is the air of the country! I love so the country!""I hope you slept well, Madame!" said Desmond solicitously, looking admiringly at her trim figure.

"Like a dead man," she replied with a little laugh, translating the French idiom. "Shall we make a leetle promenade after the, dejeuner? And you shall show me your pretty English country, voulez-vous? You see, I am dressed for le footing!"She lifted a little brown foot.

They had a delightful luncheon together. Old Martha, who proved to be quite a passable cook, waited on them. There was some excellent Burgundy and a carafe of old brandy with the coffee.

Nur-el-Din was in her most gracious and captivating mood. She had dropped all her arrogance of their last interview and seemed to lay herself out to please. She had a keen sense of humor and entertained Desmond vastly by her anecdotes of her stage career, some not a little risque, but narrated with the greatest bon-homie.

But, strongly attracted as he was to the girl, Desmond did not let himself lose sight of his ultimate object. He let her run on as gaily as she might but steadily, relentlessly he swung the conversation round to her last engagement at the Palaceum. He wanted to see if she would make any reference to the murder at Seven Kings. If he could only bring in old Mackwayte's name, he knew that the dancer must allude to the tragedy.