第61章 SELF-CONTROL.(7)

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  • 2016-03-02 16:28:09

We may not be conscious of our own peculiarities, yet they exist nevertheless. There is a village in South America where gotos or goitres are so common that to be without one is regarded as a deformity. One day a party of Englishmen passed through the place, when quite a crowd collected to jeer them, shouting: "See, see these people--they have got NO GOTOS!"Many persons give themselves a great deal of fidget concerning what other people think of them and their peculiarities. Some are too much disposed to take the illnatured side, and, judging by themselves, infer the worst. But it is very often the case that the uncharitableness of others, where it really exists, is but the reflection of our own want of charity and want of temper. It still oftener happens, that the worry we subject ourselves to, has its source in our own imagination. And even though those about us may think of us uncharitably, we shall not mend matters by exasperating ourselves against them. We may thereby only expose ourselves unnecessarily to their illnature or caprice. "The ill that comes out of our mouth," says Herbert, "ofttimes falls into our bosom."The great and good philosopher Faraday communicated the following piece of admirable advice, full of practical wisdom, the result of a rich experience of life, in a letter to his friend Professor Tyndall:- "Let me, as an old man, who ought by this time to have profited by experience, say that when I was younger I found Ioften misrepresented the intentions of people, and that they did not mean what at the time I supposed they meant; and further, that, as a general rule, it was better to be a little dull of apprehension where phrases seemed to imply pique, and quick in perception when, on the contrary, they seemed to imply kindly feeling. The real truth never fails ultimately to appear; and opposing parties, if wrong, are sooner convinced when replied to forbearingly, than when overwhelmed. All I mean to say is, that it is better to be blind to the results of partisanship, and quick to see goodwill. One has more happiness in one's self in endeavouring to follow the things that make for peace. You can hardly imagine how often I have been heated in private when opposed, as I have thought unjustly and superciliously, and yet Ihave striven, and succeeded, I hope, in keeping down replies of the like kind. And I know I have never lost by it." (11)While the painter Barry was at Rome, he involved himself, as was his wont, in furious quarrels with the artists and dilettanti, about picture-painting and picture-dealing, upon which his friend and countryman, Edmund Burke--always the generous friend of struggling merit--wrote to him kindly and sensibly: "Believe me, dear Barry, that the arms with which the ill-dispositions of the world are to be combated, and the qualities by which it is to be reconciled to us, and we reconciled to it, are moderation, gentleness, a little indulgence to others, and a great deal of distrust of ourselves; which are not qualities of a mean spirit, as some may possibly think them, but virtues of a great and noble kind, and such as dignify our nature as much as they contribute to our repose and fortune; for nothing can be so unworthy of a well-composed soul as to pass away life in bickerings and litigations--in snarling and scuffling with every one about us. We must be at peace with our species, if not for their sakes, at least very much for our own." (12)No one knew the value of self-control better than the poet Burns, and no one could teach it more eloquently to others; but when it came to practice, Burns was as weak as the weakest. He could not deny himself the pleasure of uttering a harsh and clever sarcasm at another's expense. One of his biographers observes of him, that it was no extravagant arithmetic to say that for every ten jokes he made himself a hundred enemies. But this was not all.

Poor Burns exercised no control over his appetites, but freely gave them rein:

"Thus thoughtless follies laid him low And stained his name."Nor had he the self-denial to resist giving publicity to compositions originally intended for the delight of the tap-room, but which continue secretly to sow pollution broadcast in the minds of youth. Indeed, notwithstanding the many exquisite poems of this writer, it is not saying too much to aver that his immoral writings have done far more harm than his purer writings have done good; and that it would be better that all his writings should be destroyed and forgotten provided his indecent songs could be destroyed with them.

The remark applies alike to Beranger, who has been styled "The Burns of France." Beranger was of the same bright incisive genius; he had the same love of pleasure, the same love of popularity; and while he flattered French vanity to the top of its bent, he also painted the vices most loved by his countrymen with the pen of a master. Beranger's songs and Thiers' History probably did more than anything else to reestablish the Napoleonic dynasty in France. But that was a small evil compared with the moral mischief which many of Beranger's songs are calculated to produce; for, circulating freely as they do in French households, they exhibit pictures of nastiness and vice, which are enough to pollute and destroy a nation.