第17章 THE NIXY'S STRAIN(3)

There was no one among the candidates for confirmation, that year, who was so well liked as Nils. Gentle as he was and soft-spoken, there was a manly spirit in him, and that always commands respect among boys.

He received much praise from the pastor, and no one envied him the kind words that were addressed to him; for every one felt that they were deserved. But the thought in Nils's mind during all the ceremony in the church and in the parsonage was this:

"Now, perhaps, I shall be good enough to win the Nixy's favor.

Now I shall catch the wondrous strain."

It did not occur to him, in his eagerness, that such a reflection was out of place in church; nor was it, perhaps, for the Nixy's strain was constantly associated in his mind with all that was best in him; with his highest aspirations, and his constant strivings for goodness and nobleness in thought and deed.

It happened about this time that the old schoolmaster died, and in his will it was found that he had bequeathed his fiddle to Nils. He had very little else to leave, poor fellow; but if he had been a Croesus he could not have given his favorite pupil anything that would have delighted him more.

Nils played now early and late, except when he was in the woods with his father. His fame went abroad through all the valley as the best fiddler in seven parishes round, and people often came from afar to hear him. There was a peculiar quality in his playing--something strangely appealing, that brought the tears to one's eyes--yet so elusive that it was impossible to repeat or describe it.

It was rumored among the villagers that he had caught the Nixy's strain, and that it was that which touched the heart so deeply in his improvisations. But Nils knew well that he had not caught the Nixy's strain; though a faint echo--a haunting undertone--of that vaguely remembered snatch of melody, heard now and then in the water's roar, would steal at times into his music, when he was, perhaps, himself least aware of it.

Invitations now came to him from far and wide to play at wedding and dancing parties and funerals. There was no feast complete without Nils; and soon this strange thing was noticed, that quarrels and brawls, which in those days were common enough in Norway, were rare wherever Nils played.

It seemed as if his calm and gentle presence called forth all that was good in the feasters and banished whatever was evil.

Such was his popularity that he earned more money by his fiddling in a week than his father had ever done by charcoal-burning in a month.

A half-superstitious regard for him became general among the people; first, because it seemed impossible that any man could play as he did without the aid of some supernatural power; and secondly, because his gentle demeanor and quaint, terse sayings inspired them with admiration. It was difficult to tell by whom the name, Wise Nils, was first started, but it was felt by all to be appropriate, and it therefore clung to the modest fiddler, in spite of all his protests.

Before he was twenty-five years old it became the fashion to go to him and consult him in difficult situations; and though he long shrank from giving advice, his reluctance wore away, when it became evident to him that he could actually benefit the people.

There was nothing mysterious in his counsel. All he said was as clear and rational as the day-light. But the good folk were nevertheless inclined to attribute a higher authority to him; and would desist from vice or folly for his sake, when they would not for their own sake. It was odd, indeed: this Wise Nils, the fiddler, became a great man in the valley, and his renown went abroad and brought him visitors, seeking his counsel, from distant parishes. Rarely did anyone leave him disappointed, or at least without being benefited by his sympathetic advice.

One summer, during the tourist season, a famous foreign musician came to Norway, accompanied by a rich American gentleman. While in his neighborhood, they heard the story of the rustic fiddler, and became naturally curious to see him.

They accordingly went to his cottage, in order to have some sport with him, for they expected to find a vain and ignorant charlatan, inflated by the flattery of his more ignorant neighbors. But Nils received them with a simple dignity which quite disarmed them. They had come to mock; they stayed to admire. This peasant's artless speech, made up of ancient proverbs and shrewd common-sense, and instinct with a certain sunny beneficence, impressed them wonderfully.

And when, at their request, he played some of his improvisations, the renowned musician exclaimed that here was, indeed, a great artist lost to the world. In spite of the poor violin, there was a marvellously touching quality in the music; something new and alluring which had never been heard before.

But Nils himself was not aware of it. Occasionally, while he played, the Nixy's haunting strain would flit through his brain, or hover about it, where he could feel it, as it were, but yet be unable to catch it. This was his regret--his constant chase for those elusive notes that refused to be captured.

But he consoled himself many a time with the reflection that it was the fiddle's fault, not his own. With a finer instrument, capable of rendering more delicate shades of sound, he might yet surprise the Nixy's strain, and record it unmistakably in black and white.

The foreign musician and his American friend departed, but returned at the end of two weeks. They then offered to accompany Nils on a concert tour through all the capitals of Europe and the large cities of America, and to insure him a sum of money which fairly made him dizzy.

Nils begged for time to consider, and the next day surprised them by declining the startling offer.

He was a peasant, he said, and must remain a peasant. He belonged here in his native valley, where he could do good, and was happy in the belief that he was useful.